Grafh delivers another heavyweight anthem with "Straight Shooter," featuring the legendary Papoose and powered by gritty production from 38 Spesh.
Taken from his project 'God’s Timing', this track is a certified street banger—hard-hitting, unapologetic, and laced with razor-sharp lyricism.
The visuals match the track’s raw intensity, bringing viewers straight into the heart of the hustle. With Grafh and Papoose exchanging heavy bars over 38 Spesh’s signature boom-bap sound, "Straight Shooter" is a testament to real rap’s staying power.
This is for the culture, for the streets, and for the ones who live by their word. Tap in, turn it up, and run it back.
Action Figures of Speech, the Voltron of this underground rap stuff,
combine forces to destroy any Robeasts daring to fly their coffin of
doom to the battlefield. Longtime friends and collaborators Memphis
Reigns, JON?DOE and Sankofa team up over a selection of 8Greg2 bangers,
graced with cuts from the sword of DJ Wally Styles on the ones and twos.
With this vinyl drop and two Bandcamp exclusive bonus cuts, Action
Figures of Speech looms on the galactic horizon.
The latest signee to Onyx's 100Mad label, Mickey Bourbon's newest video breaks down some of his journey to visit Sirius XM Shade 45 in Manhattan for an interview with Da Inphamus Amadeuz of The Punchline Academy.
The militant hip-hop duo Teraban storms back onto the battlefield with their highly-anticipated third album, Hostile Takeover. Featuring the explosive synergy of Dom Pachino and Bugsy Da God, this project delivers a raw, unrelenting sonic assault. Over a gritty, militant soundscape of heavy basslines and blaring horns that hit like a 21-gun salute, Teraban commands their legion of devoted listeners to stand at attention.
With sharp, commanding lyrics that echo through their signature "war chamber," the duo leads the charge with unflinching energy. Boasting hard-hitting production from Mr. Tera, Bugsy Da God, and a fiery collaborations with legendary comrades Planet Asia & Myalansky, Hostile Takeover is a call to arms for hip-hop purists.
TAlready sold out in physicals, this album guarantees to leave fans in a frenzy. The men in green are back—prepare for a lyrical blitzkrieg.
On 'Silent Weapons For Quiet Wars' 4th Disciple sampled Johnny Maestro and the Brooklyn Bridge on the song 'Full Moon'. When Dvine remixed the track 'Authenticated', from the album "Theres A War Goin On Outside" one of the members from the original band created an exclusive loop for him to sample.
The remix has been added to the album as an exclusive download ONLY available HERE
We are delighted to announce Farma G’s debut solo album ‘How To Kill A Butterfly’ is scheduled for release January 31, 2025 on High Focus Records.
An opus across 13-tracks, steeped in classic Task Force energies but also very much rooted in the now, ‘How To Kill A Butterfly’ ranks high on Farma’s illustrious discography…
“I had hung up my microphone pretty soon after Task Force had finished recording MFTC5 in 2013. I still dabbled, and did features for anyone who asked but for the most part my time as an MC seemed to have passed. As the years rolled by I grew more focussed on producing and working with rappers from the UK and USA like Conway the Machine, Rome Streetz, Mach Hommy, ILL BILL and Vinnie Paz, however, I was unsatisfied. Something was missing…
I have always been very competitive as a rapper, going by the old rules of ‘I’m better than you, I’m the king, I am the best’ and I began to have those feelings again. I wasn’t impressed by what I heard coming from the UK rap community so I dusted off the pen, bought a new writing pad and began to write again. At first it was just fragmented poetry and nonsensical words jumbled together, but slowly it began to come back to me.
The concept behind ‘How To Kill A Butterfly’ is connected to my roots with Task Force and the end of that particular journey. Task Force fans will be familiar with tracks such as ‘Butterfly Concerto’, ‘Butterfly Reprise’ and ‘Butterfly Effect’. The title of my new album is symbolic of the end of an era and the rebirth of a new one. Throughout this album I have strived to establish a connection to a time and place that made me feel like I was alive and excited to write, thrilled to have people hear what I had cooked up and most of all proud to be able to say ‘I belong here’. I want people to hear this record for what it is…a Farma G record..
My connection to the past and all things that have come before this moment are always kept close enough for me to ground myself firmly in this scene but the future holds so many new and exciting twists and turns and this is the start of that journey. I am not trying to keep up, I’m trying to take it back; not ‘back in time’ but ‘back to where it belongs’…
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